The Departed. The US remake of Infernal Affairs. I had recently watched the original because by coincidence it wound up on my Netflix queue at the same time the US remake debuted.
The original was confusing. Now this may sound cliched but I couldn't tell the bad guys apart. They were all chinese to me, so that when it was time to remember who the mole was in the police department, I couldn't pick him out of a police line up. I spent the better part of the movie trying to fathom out what was going on. At least the undercover cop was easy to pick out because he's the infamous Tony Leung. Supposedly, the other guy is somewhat famous, but I don't really watch much chinese cop dramas because I am limited to the kung fu genre. Anyway, the original besides confusing me ended in a very bitter tone. You had the mole, who always wanted to be a good cop, make it and the undercover cop not. Like the scene in Heat with Al Pacino and Robert Deniro, their tales where intertwined, and you know that someone loses in the end. In this film, it turns out the good guy was the bad guy. For some time after, I was confused by the turn of events to let the mole live. It felt wrong, but I felt conflicted liking the bitter ending, but not liking that crime triumphed. Heh.
The remake adhered to the premise of the original with lots of the same plot rythms. Along with The Aviator, this pic does not include many grand Scorsese stylings. Scorsese sublimates his style to tell the story. Nicholson on the other hand is always Nicholson. The quiet unfolding of the film under Scorsese was punctuated by Nicholson's brashness and makes the film seem lively, but the length of the movie was very noticeable. I squirmed for the last half hour waiting for the ending. Of course, there was an american twist in the end. You cannot end an american story embracing the dark side. Unlike the original, the mole gets his comeuppance. This was rather phony. For once, an american film should've ended (like the original) with the embrace of bad cops rule. I would've liked the bitter ending to have remained.
Mark Wahlberg was the best. Followed by Alec Baldwin. DiCaprio and Damon were alright. The boston accent is teh suck.
Original: 2 of 5 stars.
Remake: 2 of 5 stars
The original was confusing. Now this may sound cliched but I couldn't tell the bad guys apart. They were all chinese to me, so that when it was time to remember who the mole was in the police department, I couldn't pick him out of a police line up. I spent the better part of the movie trying to fathom out what was going on. At least the undercover cop was easy to pick out because he's the infamous Tony Leung. Supposedly, the other guy is somewhat famous, but I don't really watch much chinese cop dramas because I am limited to the kung fu genre. Anyway, the original besides confusing me ended in a very bitter tone. You had the mole, who always wanted to be a good cop, make it and the undercover cop not. Like the scene in Heat with Al Pacino and Robert Deniro, their tales where intertwined, and you know that someone loses in the end. In this film, it turns out the good guy was the bad guy. For some time after, I was confused by the turn of events to let the mole live. It felt wrong, but I felt conflicted liking the bitter ending, but not liking that crime triumphed. Heh.
The remake adhered to the premise of the original with lots of the same plot rythms. Along with The Aviator, this pic does not include many grand Scorsese stylings. Scorsese sublimates his style to tell the story. Nicholson on the other hand is always Nicholson. The quiet unfolding of the film under Scorsese was punctuated by Nicholson's brashness and makes the film seem lively, but the length of the movie was very noticeable. I squirmed for the last half hour waiting for the ending. Of course, there was an american twist in the end. You cannot end an american story embracing the dark side. Unlike the original, the mole gets his comeuppance. This was rather phony. For once, an american film should've ended (like the original) with the embrace of bad cops rule. I would've liked the bitter ending to have remained.
Mark Wahlberg was the best. Followed by Alec Baldwin. DiCaprio and Damon were alright. The boston accent is teh suck.
Original: 2 of 5 stars.
Remake: 2 of 5 stars
Labels: movies, Netflix Queue, review