One thing can be said about the Coen brothers latest film, A Serious Man (http://www.imdb.com/title/tt1019452/), it sure is Jewish. What seems to be a reflection at being Jewish, A Serious Man, is, if anything, another of their head scratching efforts. Or at least, it will take you some time to figure out what it is the Coens are driving at in their movie. Again, the Coens make you leave the theatre quietly in reflection.

A Serious Man opens with a Jewish parable. A man meets a neighbor on the lonely road home and invites him for some tea. Before the neighbor's arrival, the man's wife tells him that the neighbor isn't all that he is. He is a demon reincarnated after he died. Or he could just be a resilient man who survived. The wife takes it upon her to show her husband that she is right leaving the neighbor injured and dying. Or is he a demon and will survive? Are they blessed or cursed?

The rest of the movie follows Larry Gopnik, a college professor, as he goes through trials and tribulations that Job would have found hard to get through. His wife wants a divorce to marry a divorcee friend. His children don't really care for him. His students are annoying. His brother is troublesome. And his neighbors are either racists or bored, free spirit housewives. Larry has to deal with all this even though he doesn't know why it is all happening to him.

He tries to see a rabbi who will tell him what to do and what it all means. Yet, can you trust the advise of the religious? For example, the parking lot. Or for another example, Jefferson Airplane. It's all meaningless. So Larry is left to ponder how one is left to the fates. He is lurched from bad to good all the while helpless but persevering. When it all works, is he blessed or cursed?

The Coens always make a film that you have to ponder about. This one makes me think of Barton Fink. I thought A Serious Man was penned by Barton Fink. Both films protagonists are afloat in the world that seems to have it against them, and they are powerless to effect change. It is fate, god, Hashim that animates their world, but why does He seem to be leveling pain and suffering. Perhaps, to the Coens their Jewish-ness is inherently un-understandable. What is it about their religion that motivates the Jews to be put upon? And should they stand for it?

Finally, what is it with the Coens and Asians? Whenever an Asian is in their film prepare for a bizarre characterization. It'll make you cringe.

3 of 5 stars.

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